People often write to me asking me why it takes them ages to learn a song.
They think it might be due to age, dyslexia, or all manner of other ‘problems’. But it’s probably simpler than that.
People often write to me asking me why it takes them ages to learn a song.
They think it might be due to age, dyslexia, or all manner of other ‘problems’. But it’s probably simpler than that.
I’m always looking for new ideas for the warm up start of my singing sessions.
But constant novelty is not necessarily a good thing. It can often lead to overlooking old, familiar, tried and tested exercises.
We’ve all been there: a big concert is coming up and we feel under-prepared.
Should we just duck out, or soldier on and busk it? Here’s what I think.
I’m not in the mood to write this blog today. But I need to.
How can you get on with things when you’re just not in the mood?
Most choirs get to the point where they want to share the songs they’ve learnt with an audience.
But how do you know that the songs are in a good enough state to share?
Everybody talks about the importance of warming up and properly preparing to sing before each rehearsal.
But what about ending a rehearsal? Not as much attention is paid to that. How do we end so singers go away feeling great?
It’s easy to forget, especially when preparing for a concert, that singers come each week to have a good old sing.
They don’t want to be learning new material all the time or focusing on vocal development.
Familiarity breeds contempt. If you do the same thing over and over again it can become boring.
However, constantly introducing new things can be hard work and it can feel like you never arrive. How do we maintain a balance between these two extremes?
I always thought I ran friendly, welcoming choirs (see How welcoming is your choir?). There was always someone around to buddy new members so they wouldn’t feel left out.
But then one day, a new member said to me that standing around in the break felt like being the new kid in the playground at school.
I like to outsource elements of my teaching practice when leading singing days.
I allow the singers to put chairs out (or not), and to decide how they want to stand. Often, it ends up being a circle. But is that the best way to sing as a group?
I’ve pointed out before that too much thinking is bad for singers. See The curse of confusion: why thinking is bad for singing.
In fact, your mouth knows far more than your brain does when it comes to songs!
I usually try not to use lyric sheets at all. I’d rather have singers with their heads up, watching me and each other.
But sometimes, if a song is in a foreign language, or has lots of words, I’ll put lyrics up.
A little stress can be good for us. It helps us to get things done or to focus on something that needs our attention.
But too much stress can affect our mood, our body and our relationships. How can we put on a successful singing event without getting too stressed out?
Rehearsals can become somewhat fraught when a concert is coming up.
It’s easy to become fixated on the work and to lose sight of the bigger picture. It’s only a concert after all. Here’s how to keep a sense of perspective.
There are choir leaders who are disappointed that their singers aren’t doing enough homework in the run-up to a big concert.
There are singers who try in vain to reach the high notes of the melody and who constantly complain about the songs in their choir’s repertoire. But this is what is on offer and fighting against it will always lead to unhappiness.
We’ve all been there: a big concert is coming up, but the singers just aren’t ready.
What can you do?
I don’t know about you, but when I get home late after a singing rehearsal I find it hard to sleep.
I don’t feel particularly over-excited, but something inside me must be! What can we do about this?
We all strive for perfection in our singing. At the same time, we realise that being 100% perfect is impossible.
By aiming for perfection we can become blind to our achievements and how good we actually are.
Sometimes when we’re learning a new song, a singer might ask a question because they’re having difficulty.
I will then offer what I believe to be a helpful explanation. But sometimes this won’t help every singer.