Many of the queries I get sent concern ‘toxic’ choir members. People who disrupt things and spoil it for others.
I thought I’d look a bit deeper into what’s going on and consider what you can do.
Many of the queries I get sent concern ‘toxic’ choir members. People who disrupt things and spoil it for others.
I thought I’d look a bit deeper into what’s going on and consider what you can do.
Last week I wrote about the first step to becoming a singer.
You need to actually start singing! Now here’s step 2.
People often write to me asking me why it takes them ages to learn a song.
They think it might be due to age, dyslexia, or all manner of other ‘problems’. But it’s probably simpler than that.
My partner is always sending me videos with ideas for singing warm ups, usually involving complex clapping or stepping.
I tell her that they will be too difficult for the singers I work with. But am I being too safe and under-estimating the singers’ abilities?
Sometimes an individual choir member needs to be told that they’re getting it wrong.
In our attempt to not be unkind, we can sometimes end up being too nice, which is not helpful.
We went to the theatre the other day and we were the only people in the audience wearing masks.
But in all other ways, we were exactly the same as any other audience member. The same, but different.
I’m always looking for new ideas for the warm up start of my singing sessions.
But constant novelty is not necessarily a good thing. It can often lead to overlooking old, familiar, tried and tested exercises.
I wrote an earlier post about different choir payment systems: Pay as you go or regular fee upfront – what is the best system for singers in your choir?
What if you want to change from one system to another? How can you make it as pain-free and simple as possible?
Many people use the New Year as a trigger to set themselves goals for the future. And many people fail by being unrealistic.
Whether that’s you or not, it is vital to take stock from time to time, even if it’s not at New Year.
What could be more true to the spirit of Christmas than standing in a crowded pub and singing Christmas carols?
Especially if the tunes are only to be heard in a few towns and villages near Sheffield, in South Yorkshire.
We’ve all been there: a big concert is coming up and we feel under-prepared.
Should we just duck out, or soldier on and busk it? Here’s what I think.
I started this blog way back in December 2006. That’s 17 years of weekly blog posts!
I thought I’d make a little video to let you know why and how I got started.
The term ‘community choir’ is used a lot, but what does it actually mean?
There is no single definition, but I thought I’d look at some common characteristics.
Not everyone likes to sing in harmony with others, but those who do are often really nice people.
Why is that? And is it a universal truth?
We all want audiences at our concerts, so we have to let people know about them.
I’ve seen so many bad examples of concert publicity recently, I thought I’d write a few tips.
I am a member of the Natural Voice Network and all my work is based on their ethos.
But what exactly is ‘Natural Voice’ and how do Natural Voice choirs differ from other kinds of choir?
Most choirs get to the point where they want to share the songs they’ve learnt with an audience.
But how do you know that the songs are in a good enough state to share?
Everybody talks about the importance of warming up and properly preparing to sing before each rehearsal.
But what about ending a rehearsal? Not as much attention is paid to that. How do we end so singers go away feeling great?
It’s easy to forget, especially when preparing for a concert, that singers come each week to have a good old sing.
They don’t want to be learning new material all the time or focusing on vocal development.