We all want audiences at our concerts, so we have to let people know about them.
I’ve seen so many bad examples of concert publicity recently, I thought I’d write a few tips.
We all want audiences at our concerts, so we have to let people know about them.
I’ve seen so many bad examples of concert publicity recently, I thought I’d write a few tips.
Most choirs get to the point where they want to share the songs they’ve learnt with an audience.
But how do you know that the songs are in a good enough state to share?
Sometimes a performance is a blinder. There is a standing ovation and cries for more.
And yet … it is possible to come away feeling that it’s all gone wrong. How is this possible?
It’s the day after Christmas Day and, however well or badly it went, there can be a sense of a let-down.
After any big event like Christmas or an important choir concert, there needs to be a transition back to ‘normal’. This is not always easy! Here are some ideas of how to deal with the come down.
We all strive for perfection in our singing. At the same time, we realise that being 100% perfect is impossible.
By aiming for perfection we can become blind to our achievements and how good we actually are.
We had a concert recently where pretty much every song went wrong in some way.
Yet we ended up having a fantastic evening and the audience enjoyed it enormously. How is that possible?
A choir concert is never 100% perfect. There are usually one or two minor errors, or even big mistakes.
But what might feel like a huge disaster on stage is often not noticed by your audience.
I’m often asked how to get singers “off book” for their next concert.
The assumption is that it’s best for a singer not to have lyrics or sheet music in their hands when performing. But is this necessarily a bad thing?
When does a song have ‘popular’ appeal? When is it entertainment?
Does ‘popular’ simply mean ‘well known’?